Song of Surrender

Thursday, 6 July 2017

Birthdays & Anniversaries

MANGALAMPALLI BALAMURALIKRISHNA
A prodigy and a genius
(Excerpted from the Sruti archives)

Not many performing artists or composers become legends in their own lifetime. The rare distinction belongs to Dr. M. Balamuralikrishna, a leading exponent of Carnatic music for over six decades now. Balamuralikrishna hails from a family which considered music taboo. To the surprise and displeasure of his elders, Balamurali’s father Mangalampalli Pattabhiramayya took up music as his career. He was born in 1892 at Antarvedipalem, a tiny hamlet in the West Godavari district of Madras presidency, as the sixth child of a Vedic scholar, Venkataramayya. Kocharlakota Rama Raju, a composer and left-handed violinist, was his first guru. The tutelage lasted exactly six days!

Venkataramayya then became a student of one Subramania Iyer of Pakshiteertham, who lived in nearby Yelamanchili. He travelled all over Tamil Nadu with his teacher, only to find the teacher abscond one fine day. Young Pattabhiramayya had to come back home. His next stop in music learning was at Pedda Kallepalli where he became a student of Susarla Dakshinamurti Sastri, a disciple of Manambuchavadi Venkatasubbier. After the demise of Sastri, Pattabhiramayya received advanced lessons in music from Parupalli Ramakrishnayya Pantulu, the prime disciple of Susarla, settling down in Vijayawada.

To read full story, buy Sruti 325


Guru Mayadhar Raut
one of The Makers of Contemporary Odissi
(Excerpted from the Sruti archives)

Dame Luck has always been an unpredictable mistress, stalking and wooing some all the time, while visiting others in fits and starts or not at all. That for a prosperous career in the dance field one needs good fortune and the right breaks as much as prowess is an accepted fact. 

While discussing the restructuring of Odissi in the early fifties, through what was known as the Jayantika effort, the names of Guru-s Pankaj Charan Das, Deba Prasad Das and Kelucharan Mohapatra are frequently taken by scholars and dance practitioners. Less often mentioned is the fourth dimension to this revivalist square, Guru Mayadhar Raut who, for years, has settled down in New Delhi to which place he shifted in the year 1967, at the behest of two young guru-s both of whom had their training under him, namely Harekrushna Behera and Surendranath Jena.

To read full story, buy Sruti 257

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